Bull, M. & Back, L., eds., 2004: The Auditory Culture Reader (Berg Publishers)
Cox, C. & Warner, D., eds., 2004: Audio Culture: readings in modern music (Continuum)
Norman, Katherine 2004: Sounding Art: eight literary excursions through electronic music (Ashgate)
Schafer, R. Murray 1992: ‘Music, non-music and the soundscape’ in Companion to Contemporary Musical Thought, Vol. 1, Paynter, J., Howell, T., Orton, R., & Seymour, P. (ed.’s) (Routledge)
Sterne, Jonathan, 2003: The Audible Past: Cultural Origins of Sound Reproduction (Duke University Press)
Schafer, R. Murray 1993: The Soundscape: Our Sonic Environment and the Tuning of the World (Destiny Books)
Truax, Barry (ed.) 2000: Acoustic Communication (Greenwood Press)
Drever, John Levack, 2002: ‘Soundscape Composition: The convergence of ethnography and acousmatic music’ in Organised Sound, Vol. 7, no. 1. Cambridge University Press, p. 21-27.
Schafer, R. Murray 1975: The Rhinoceros in the Classroom (Universal Edition)
Schafer, R. Murray 1974: New Soundscape (Universal Edition)
Schafer, R. Murray 1973: Music of the Environment (Universal Edition)
* Students will be required to provide their own portable sound-recording equipment. A list of suitable equipment is available from the Module Convenor.