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Module Availability |
Spring Semester |
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Assessment Pattern |
Components of Assessment
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Method(s)
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Percentage weighting
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Coursework
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- Two equally weighted exercises - 60%.
- Final Project - 40%.
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100%
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Module Overview |
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Prerequisites/Co-requisites |
Pass in HE1 Harmony |
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Module Aims |
- to develop your skills in writing pastiche harmony and counterpoint in 18th-century styles and forms
- to increase your technical understanding of 18th-century harmony and counterpoint
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Learning Outcomes |
Upon completion of this module you should be able to:
- write a keyboard sonata exposition in a Classical style
- write keyboard variations on a given theme
- write two-part Baroque counterpoint
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Module Content |
Principles of harmony, form and counterpoint in 18th-century music. |
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Methods of Teaching/Learning |
10 one-hour classes, combining unassessed written exercises and lecture-demonstration. |
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Selected Texts/Journals |
Required Reading:
Cook, Nicholas, 1998: Analysis through Composition (Oxford: Oxford University Press)
Recommended Reading:
Gauldin, Robert , 1998: A Practical Approach to Eighteenth-Century Counterpoint (Englewood Cliffs : Prentice Hall)
Kennan, Kent, 1987: Counterpoint (Englewood Cliffs: Prentice Hall) |
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Last Updated |
07.12.06 |
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