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Module Availability |
Semester 2. |
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Assessment Pattern |
One essay, 3000 words.
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Module Overview |
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Prerequisites/Co-requisites |
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Module Aims |
· To acquire an advanced understanding of concepts and practices of popular dance.
· To develop a specialised knowledge of a range of theoretical and methodological approaches to the study of popular dance.
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Learning Outcomes |
Knowledge and Understanding:
· A specialised knowledge of a range of popular dance practices within both vernacular and presentational contexts.
· A complex understanding of the term ‘popular’ and its competing definitions.
· An advanced understanding of how the social, political, economic and historical framework affects the production, distribution and consumption of popular dance forms.
Cognitive/Intellectual Skills:
· Ability to analyse and interpret critically a range of popular dance examples through relevant theoretical models and methodological approaches.
· Ability to critique existing ideas at a sophisticated level through oral and written means.
Practical/Key/Research Skills:
· Ability to locate, select and organise a range of research materials that relate to specific popular dance case studies.
· Ability to work independently and as part of a group when preparing reading or viewing for class discussion.
· Ability to articulate and debate complex ideas in a lucid manner.
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Module Content |
· The module addresses competing definitions of the popular and critically explores the intellectual assumptions that underpin this categorisation.
· The module examines a range of popular dance practices, both in vernacular and presentational contexts, and considers how different social, political, economic and historical frameworks impact upon their production, distribution and consumption.
· The module explores relevant theoretical and methodological approaches to the study of popular dance.
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Methods of Teaching/Learning |
Lecture, video analysis, seminar discussion, self-directed research.
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Selected Texts/Journals |
Dodds, S. (2011) Dancing on the Canon: Embodiments of Valie in Popular Dance
Basingstoke
: Palgrave.
Malnig, J. (2009) (ed) Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader Urbana and Chicago:
University
of
Illinois Press
.
Storey, J. (2003) Inventing Popular Culture
Oxford
: Blackwell.
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Last Updated |
13/04/11. |
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