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    | Module Code: DAN1002 | Module Title: CULTURAL APPROACHES |  
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    | Module Provider: Dance,Film & Theatre | Short Name: CULTAPPS |   
    
    | Level: HE1 | Module Co-ordinator: COURTIER CH Miss (Arts) |  
    | Number of credits: 20 | Number of ECTS credits: 10 |  |  |  
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    | Module Availability |  
    | Semester 1 and 2 |  |  |  |  |  
    | Assessment Pattern |  
    | Lecture demonstration    (10 minutes)   (40%) Bibliography                                                 (10%)
 Essay (1,500 words)                                  (50%)
 
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    | Module Overview |  
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            | Components of Assessment | Method(s) | Percentage weighting |  
            | Presentation | Lecture Demonstration | 40% |  
            | Coursework | Bibliography | 10% |  
            | Coursework | 1500 word Essay | 50% |  |  |  |  |  |  
    | Prerequisites/Co-requisites |  
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    | Module Aims |  
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    To provide a factual and conceptual knowledge of the variety of dance forms from different cultures evident in theatre dance, social dances and in different forms of media. To create an awareness of the appropriate terminology and the nature of Dance Studies.  |  |  |  |  |  
    | Learning Outcomes |  
    | Knowledge and Understanding: 
    A basic understanding of a range of theoretical perspectives, methodologies, and concepts in Dance Studies. An initial comprehension of how different cultures, historical epochs, contexts, and locations create distinct approaches towards training, choreography, performance and corporeal representation. A recognition of a range of dance and movement examples from different cultural, historical, theatrical, technological and social contexts. A basic familiarity with study skills required to investigate dance practices and theatrical, vernacular or technological representations of dance across cultures and contexts.  Cognitive/Intellectual Skills: 
    Ability to analyse a range of dances and movement examples with guidance using provided classifications and principles. Ability to evaluate and interpret dances based on observations of components, structure and context. Ability to categorise examples of dances.  Practical/Key Skills: 
    Ability to apply various theoretical models on identity formation to a range of dance examples. Ability to construct rational arguments in support of particular readings of dances. Ability to articulate ideas in class discussion in a clear and concise manner. Ability to acquire study skills: collating sources and appropriate documentation, essay structuring, academic writing with appropriate support.  |  |  |  |  |  
    | Module Content |  
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    The module introduces historical, cultural, technological and institutional developments as reflected in training systems and dances. The module draws on methodologies, analytic frameworks and source materials of relevant disciplines such as Dance Studies, Cultural Studies, Critical Theory and Anthropology.  |  |  |  |  |  
    | Methods of Teaching/Learning |  
    | Lecture, seminar, video analysis, movement exercises and group discussion. |  |  |  |  |  
    | Selected Texts/Journals |  
    | Required reading:   Adshead-Lansdale, Janet and Layson, June (eds) Dance history: an introduction. London: Routledge, 1994.   Banes, Sally. Terpsichore in sneakers: post-modern dance. Hanover: Wesleyan University Press, 1987.   Bremser, Martha (ed) Fifty Contemporary Choreographers. London: Routledge, 1999.   Carter, Alexandra. The Routledge Dance Studies Reader. London: Routledge, 1998.   DeFrantz, Thomas F. Dancing Many Drums. Madison: University of Wisconsin Press, 2002.   Delgado, C & J. Muñoz (eds) Every-night Life: Culture and Dance in Latin/o America. Durham and London: Duke University Press, 1997.   Dodds, Sherril Dance on Screen: Genres and Media from Hollywood to Experimental Art. Basingstoke: Palgrave, 2001.   Foster, Susan Leigh. Corporealities. New York and London: Routledge, 1996.   Grau, Andrée and Jordan, Stephanie. Europe Dancing. London: Dance Books, 2001.   Thomas, Helen (ed) Dance Gender and Culture. London: Macmillan, 1993. |  |  |  |  |  
    | Last Updated |  
    | 9 October 09 |  |  |  |  
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